1/10/2023 0 Comments Reaktor factory selectionThe cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". This cookie is set by GDPR Cookie Consent plugin. Combining a huge factory library with comprehensive programming options, the emphasis is on heavily processed sounds of all kinds, from traditional synth. These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. Sometimes you can find some rhythm in these textures and they also can blend with the track’s groove very nicely. And the theme of the track also sounded futuristic to me. I use these to fill up space (if needed) and/or create a particular mood or feeling.įor example, in the track in the video above, the textures I cut reminded me of sound effects used in sci-fi movies about space. Or I cut longer segments of the audio file if I want to have background noise or textures. On the Native Instruments site, there used to be a free download called Powered by Reaktor - Reaktor Factory Selection.Then I try anything I see: transpose the sound, stretch it, change warp mode, precise EQ-ing, use distortion instruments, and so on. ![]() Although of course sometimes I want to experiment with what else I can squeeze out of the sound. The simplest and best audio effects to use on them are reverb and delay. Their purpose is to keep a listener’s interest. This way I get so-called “ear candy” or sounds that are sprinkled throughout the track. To summarize, I use an audio file in one of two ways: ![]() The parts that I don’t want to use but DO want to keep just in case I place on a separate audio channel and mute it. When I was recording the demonstration I used a couple of different presets on the same audio channel (I don’t think it got into one of the videos).
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